Hong Kong French Film Festival Celebrates 5 Decades

The Hong Kong French Film Festival (HKFFF) celebrates its 50th edition this year. Since 1953, the festival has brought more than 1600 French films to local screens.

Organized by the Alliance Française de Hong Kong, and featuring more than 50 films, the 50th HKFFF runs from 24 November – 14 December at 5 cinemas. A full screening schedule can be found on the festival’s website.

The HKFFF’s opens with two films Martin Bourboulon‘s Eiffel and Titane by Julia Ducournau. There’s a tribute to female directors and a collaboration with Greenpeace – Cinema for the Climate.

50th Hong Kong French Film Festival
Date: 24 November – 14 December, 2021
Venue: Various cinema and online
Tickets: various
More info:
www.hkfrenchfilmfestival.com

Revolution of Our Times 時代革命 to Screen at Cannes Film Festival

Described as ‘a film by HongKongers’, the Festival de Cannes will screen Kiwi Chow’s documentary Revolution of Our Times 時代革命 about the 2019 protests against the extradition law.

“I want to express my heartfelt gratitude to Cannes. It is our honour to have the world premiere of Revolution of our Times Hong Kong has been losing far more than anyone has expected. This good news will be a comfort to many HongKongers who live in fear; it also shows that whoever fights for justice and freedom around the world, are with us! And HongKongers are staying strong!” said Chow in an email statement about the film’s inclusion in the festival.

This is how the film’s trailer is introduced on YouTube…

//“Hong Kong is on the frontlines of a global battle for freedom.” TIME Magazine

Over the past fifty years, Hongkongers have fought for freedom and democracy but have yet to succeed. In 2019, the “Extradition Bill” to China opened a Pandora’s box, turning Hong Kong into a battlefield against the Chinese authoritarian rule.

The award-winning director of “Ten Years: Self Immolator,” Kiwi Chow, made this documentary to tell the story of the movement, both with a macro view of its historical context and up close and personal on the front lines.

The 2019 movement is always labelled with the characteristics of “decentralized leadership”, “be water” (flexible tactics), “do not split” (unity but in different ways) and “blossoming everywhere” (protest all over the territory). The film covers seven teams of protestors with different stories which are put together as a comprehensive picture of the versatile movement.

Democracy and freedom are now facing an unprecedented crisis over the world. The film Revolution of Our Times is not only about the battle of Hongkongers but is about a war between all freedom lovers and dictatorships of our globe.//

Coverage of the documentary’s addition to the festival by Variety

//Cannes this year is chock full of issue-led programming about climate change, crises in Africa, diversity and equality. Few topics are as pressing or complex as the ideological clash between the liberal West and China’s modern brand of Communist-badged totalitarianism…

…Cannes is taking a significant gamble in giving the film the red carpet treatment. At a minimum, the festival risks a diplomatic complaint from mainland Chinese and Hong Kong authorities. China was previously so enraged by the Academy of Motion Pictures’ nomination of “Do Not Split” that the Chinese broadcast of the Oscars ceremony was cancelled and media were ordered to downplay the event.

It is likely that Cannes organizers have anticipated a negative reaction.

They’ve chosen to play “Revolution of Our Times” at the end of the festival, when the trio of mainland Chinese films have already played and can’t be withdrawn in protest. But there’s now a risk that China will boycott future editions of Cannes, just as it is punishing the Golden Horse Awards in Taiwan for the island’s go-it-alone tendencies.

One explanation for the inclusion of the film may lie in Cannes programmers Thierry Fremaux and Christian Jeune’s visit to Hong Kong during the protests. Walking through the battlefield of the streets, they became eye-witnesses to a painful but cinematic civil war.//

More coverage by The Hollywood Reporter

//Cannes has frequently stood with filmmakers facing political persecution in their home countries, such as Iranian director Jafar Panahi (This Is Not a Film) and Russian filmmaker Kirill Serebrennikov (Petrov’s Flu), both of whom were under house arrest and unable to attend the festival when their films were screened.

But Hong Kong’s protest movement has found precious few allies over the past two years, as Beijing has leveraged China’s outsize economic clout to attempt to punish any companies or individuals who dare throw their support behind democracy in Hong Kong…

…Hong Kong politics also are believed to have resulted in the 2021 Oscars ceremony being totally blocked from broadcast in mainland China and Hong Kong earlier this year. Broadcasters and regulators never supplied a reason for the mysterious suspension of the awards show in Greater China, but many connected to the industry believe it was intended as retribution for the Academy’s nomination of the Hong Kong protest film Do Not Split in the best short documentary category (past critical comments made by Oscar best director winner Chloe Zhao (Nomadland) about her home country also irked the authorities).//

images: Dear Bros

MCL Amoy Theatre

The new MCL Amoy Theatre opens in Kowloon Bay on 15 July. The three-screen complex has 603 seats and features as MCL puts it “the latest and best in cinema experience”. Each auditorium is equipped with 4K Laser projectors and Dolby Atmos sound. Opening ticket prices are $60

MCL Amoy Theatre
G/F, Phase III, Amoy Plaza,
77 Ngau Tau Kok Road,
Kowloon Bay,
Hong Kong

Cancellation of Taiwan Equals Love Screening

The documentary Taiwan Equals Love has been pulled from the EU-Asia Rainbow Docs festival after the Film Censorship Authority refused to authorise the screening of the full documentary, Broadway Cinematheque announced.

The organisers of the ‘EU-Asia Rainbow Docs’ regret to announce that the scheduled full-length documentary “Taiwan Equals Love” will no longer be screened.

The Film Censorship Authority did not authorise the screening of the full documentary. We jointly decided to cancel the screenings of the film, in accordance with our agreed policy not to screen censored films in this programme.

We apologise for any inconvenience.

In May 2019, Taiwan became the first country in Asia to legalize same-sex marriage. Director Yan Zhexuan’s documentary Taiwan Equals Love chronicles the LGBTQ+ community’s fight for this landmark achievement.

Humanising the struggle through the portrayal of three LGBTQ couples from three generations facing different legal and social challenges but all with the same dream of getting married. Their perspectives provide an intimate context and address the question of why this fight for equality and dignity is so important for millions of LGBTQ people everywhere.

EU-Asia Rainbow Docs
Date:
30 June-11 July, 2021
Venues: Broadway Cinematheque
Tickets: $95 from www.cinema.com.hk/en/movie/special/19

10th HK International Deaf Film Festival

The 10th Hong Kong International Deaf Film Festival and the 2nd International Conference on Deaf Cinema will be held online from the 2-11 October, 2020.

“Over the past ten years, we have continuously assembled Deaf Film from across the world in an attempt to present sign language and Deaf culture through films that tell stories fo the Deaf and created by Deaf people. We do not see Deaf as disabled, but affirm that Deaf people are a community with their own language, culture and history”

Opening Ceremony & Programme 1

Programme 2: The Art of Sign Language

Programme 3: Hong Kong Deaf Film 1

Programme 4: Hong Kong Deaf Film 2

Programme 5: CODA (A Child of Deaf Adults)

Programme 6: Deaf Funny and Stories

Programme 7: Deaf Advocacy

The Opening Ceremony & Programme 1: Hong Kong Deaf Film and all conference sessions are free of charge. The online screening film programmes 2 -7 are $65 and tickets are available at www.putyourself.in

10th HK International Deaf Film Festival
Date: 2-11 October, 2020
Venue: online
Tickets: $65

44th Hong Kong International Film Festival New Dates

The Hong Kong International Film Festival Society (HKIFFS) have announced the new dates for the 44th Hong Kong International Film Festival (HKIFF44) which will now be held from the 18-31 August 2020.

No information has been released as to whether the new dates will also include Asia Film Financing Forum (HAF18).

In announcing the new dates Executive Director Albert Lee said HKIFFS had decided to re-launch HKIFF44 after the Hong Kong government began easing the COVID-19 restrictive measures, including allowing local cinemas to re-open.

“We are cautiously optimistic that Hong Kong is gradually returning to normal from the health crisis,” said Mr Lee.  “I am pleased that we have not stopped our preparation since the postponement.  The prospects of being able to bring back HKIFF44 to our audience are exciting.  Nothing beats the big-screen experience of watching a diverse selection of films from around the world.”

The full programme of films will be announced on the 28 July with tickets going on sale from the 5 August through URBTIX.

44th Hong Kong International Film Festival
Date:
18-31 August, 2020
Venue: various
Tickets: tbc

For latest updates of HKIFF44 and Cine Fan programmes, www.hkiff.org.hk and www.cinefan.com.hk.  For information about HAF18, www.haf.org.hk.

Postponement of HKIFF44 and HAF18, Cancellation of Cine Fan April/May edition

The Hong Kong International Film Festival Society have announced the postponement of the 44th Hong Kong International Film Festival (HKIFF44) and the 18th Hong Kong – Asia Film Financing Forum (HAF18) in response to the recent novel coronavirus (COVID-19) outbreak.

In making the announcement, HKIFFS Executive Director Albert Lee confirms that the Society’s two flagship events, both scheduled to start in less than six weeks, will be postponed to the summer of 2020.  However, the April/May edition of the year-round Cine Fan repertory programme has been cancelled.

“We hope to be able to share more information regarding a postponed HKIFF44 following discussions with screenings venues, as well as our many stakeholders, partners and sponsors,” said Lee.

HAF director Jacob Wong said plans are on track to hold HAF18 during the 24th Hong Kong International Film and TV Market (FILMART), which the Hong Kong Trade Development Council has just postponed to 27-29 August.

“Besides, we are still going ahead with HAF Goes to Cannes which takes place during Cannes Film Festival in May,” said Wong.  “We will announce the selected projects for this initiative in late March.”

Lee added that the postponement of HKIFF44 and HAF18 was not an easy decision to make.  “We see the need to make a socially-responsible decision and not to put the public’s safety and well-being at risk,” he said.  “Our prayers are for those who are affected by the novel coronavirus outbreak and to wish them a full and speedy recovery.”

For latest updates of HKIFF44 and Cine Fan programmes, www.hkiff.org.hk and www.cinefan.com.hk.  For information about HAF18, www.haf.org.hk.

Sixteenth Hong Kong Asian Film Festival

The Hong Kong Asian Film Festival (HKAFF) returns this month, now in it’s sixteenth year the film festival will run from the 29 October – 17 November and feature a wide range of modern and digitally remastered Asian films with numerous directors in town to talk about their work.

Opening and Closing Films: Local Directors’ Outlook on Life and the City

HKAFF2019 will open with two films. Lion Rock, Nick Leung’s second feature, is a fact-based story about how a top rock climber finds his way back on the peaks after losing his ability to walk.

Patrick Leung’s Ciao, UFO is a charming sci-fi comedy that revolves around the urban legend of a UFO hovering above Wah Fu Estate in Aberdeen. It marks the reunion of Tsui Tien-you, Wong you-nam and Charlene Choi.

Closing the festival are films from two local female directors. My Prince Edward is winner of the First Feature Film Initiative launched by the Film Development Fund. Norris Wong’s directorial debut is a lighthearted story about the struggles a woman faces as she prepares to get married.

Starring Dada Chan and Kevin Chu, The Secret Diary of a Mom to Be is a comedy about the lives of contemporary career women and the unexpected surprises in life. It is the second feature film by writer-director Luk Yee-sum.

Gala Presentations: The Fallen, Missing, and The Garden of Evening Mists

The HKAFF Gala Presentation features three films of distinctive styles. After making an explosive debut with G Affairs, director Lee Cheuk-pan returns with The Fallen, a gritty and stylish revenge thriller reminiscent of classic Hong Kong crime thrillers. Irene Wan returns to the silver screen and is captivating as the puppet master of the sinister revenge scheme. Inspired by a popular internet novel,

Ronnie Chau’s feature debut Missing is a supernatural thriller about the mystical gateway. Gillian Chung stars as a social worker who is desperately searching his missing father in the mountains.

Starring Sylvia Chang, Angelica Lee and Abe Hiroshi, The Garden of Evening Mists is a star-studded drama about memory, loss and the art of gardening. It is an adaptation of Malaysian writer Tan Twan Eng’s Man Booker Prize-nominated novel by Taiwanese director Tom Lin.

Special Presentations: Documentaries, Independent Films, and Romantic Dramas

In the Special Presentations section. Documentary director Wong Siu-pong turns his camera on Hong Kong’s medical system with 3CM, a documentary about Tuberous Sclerosis Complex (TSC) patients who struggle to live. Cheuk Cheung’s Bamboo Theatre is a documentary that follows ritual practices in various villages and remote islands of Hong Kong, as well as how bamboo theatres are built and dismantled.

Award-winning director Chow Kwun-wai’s romantic drama Beyond the Dream is about the relationship between a recovering schizophrenic and a psychological counselor. Benny Lau, who is known for his nostalgic youth love stories, returns with Your World, Without Me, a pure-hearted tale set in Garzê Tibetan Autonomous Prefecture in Sichuan. Memories to Choke on, Drinks to Wash them Down is a collection of short films from cinematographer-director Leung Ming-kai and partner Kate Reilly. It contains three stories about how Hongkongers bear the weight of treasured memories, raise themselves up to meet present challenges, and stand ready.

The Murders of Oiso is a co-production of Japan, Hong Kong and Korea, produced by Hong Kong director Fei-Pang Wong and directed by Misawa Takuya. The mystery-drama follows a juvenile gang who encounter a series of unsettling mysteries.

Director in Focus – Mohammad Rasoulof; Country in Focus: Cambodia

The films of Mohammad Rasoulof reflect reality, revealing to audiences hidden and uncomfortable truths about society. Rasoulof is regarded as a troublemaker by the Iranian government, and yet he never caves to authoritarian pressure or corruption. As a tribute to the director who has just been sentenced to one year in prison for defying state censorship, HKAFF presents a seven-film retrospective. Mehdi Abdollahzadeh an Iranian film critic will give a talk on Rasoulof’s films.

This year marks the 40th Anniversary of the end of the Cambodian genocide carried out by the Khmer Rouge regime. This history is very much ingrained in the films coming out of the country. HKAFF has chosen seven films to illustrate the development of Cambodia cinema in the last four decades. Directors Davy Chou and Sok Visal will attend a talk on Cambodian cinema.

16th Hong Kong Asian Film Festival
Date: 29 October – 17 November, 2019
Venues: Broadway Cinematheque, Broadway The One, My Cinema Yoho Mall, AMC Pacific Place, Palace IFC, Movie Movie Citiplaza, Premiere Elements
Tickets: www.cinema.com.hk