Chinese Documentary Festival 2016

Chinese-Documentary-Festival-2016

This year’s Chinese Documentary Festival, which runs from 9th September to 16th October, will showcase over thirty films from Hong Kong, China and Taiwan across three categories – Features, Shorts and Selection of Hong Kong Documentaries. The films encompass a wide range of themes including art, politics, religion and current affairs. Several of the films directors will attend the Festival to share their experience with the audiences.

Features
The featured Chinese documentaries tend to focus on social issues such as demolition and education – My Land and Wandering Village both discuss the issue of demolition, with the former describing an agricultural family’s struggle for their land and the latter utilising the recycling industry as the background of the woes that workers have due to demolition. A Purpose Built School highlights how the “Gaokao Factory” twists the meaning of education, while Xu Tong’s Cut Out the Eyes takes the historical drama Er Ren Tai to the cinema, morphing the protagonist’s misfortunes into a complain against violence.

The Taiwanese films are relatively more emotional. Kuo Shiao-yun’s Meeting with Bodhisattva documents how Taiwan’s U-Theatre has guided a group of released inmates to rise above their old habits and temptations. In My Foreign Hometown, foreign brides in the Hakka community shows a united and positive attitude towards life. Trapped at Sea, Lost in Time is a major production, and tells the stories of fishermen far away from home. Rolling on the Stage, Rolling for Life brings to the audience the art of Taiwanese folk opera, while depicting the thrilling stories of the opera troupe members behind the stage.

Shorts
This year’s Shorts category focuses on the many highs and lows of life. Taiwanese director Shen Ko-shang’s Murmuring Days captures the moments of cancer patients with their families, showing how love shines through even the darkest of times. Stand By You provides an account of social welfare organisations aiding children with experiences of misfortune, impressing audiences with its underlying sentiment. A Story of the Remainders documents an ordinary family plunged into turmoil, bringing to light the devastating change that resulted from the demolition of Taiwan’s military communities. Shangshu Seminary witnesses the reconstruction process of this Sichuan Catholic monastery, with the alarming murders that happened in the course of reconstruction showing the dark side of human nature; on the flipside, Atayal Mother’s Peaches uses the story of a peach farming family to show the resilience Taiwans’s aborigines retain in the face of adversity. A Perfect Crash documents the political downfall of Sunflower Movement student leader Chen Wei-ting due to a sex scandal, while Nameless provides the openly humourous attitude a street vendor poses towards overcoming the challenges in life.

Selection of Hong Kong Documentaries
With the media increasingly self-censoring, documentaries are becoming an important medium to expose the stories the media won’t cover. This year’s Selection of Hong Kong Documentaries category contains several impressive films. Cheung King Wai’s The Taste of Youth lends an ear to the heartfelt confessions of nine teenagers, broadcasting the neglected voices of society’s young ones. In Parent Cheering Team, parents and children are similarly engaged and excited in baseball, with the pricelessness of family relations emerging from within. Kong Rice witnesses the involvement of a teacher in a revival of agriculture movement in the New Territories, with the aim of environmental conservation. Yellowing and 75 Days: Life, Liberty and Happiness record the comings and goings of the Umbrella Movement, while Van Drivers 2 sees the Umbrella Movement through the eyes of volunteer workers. More than Conquerors provides a discussion on the relationship between religion and society, while the unique Zero Acceleration employs fantastic camerawork to lead the audience from bustling city life into an urban oasis. Tai O Diary, the works of Visible Record’s Master Class 2015, shows the charms of Tai O in different aspects.

Chinese Documentary Festival 2016
Date: 9 September – 16 October, 2016
Venue:
Hong Kong Space Museum (10 Salisbury Road, TST)
Hong Kong Science Museum (2 Observatory Road, TST)
The Grand Cinema (2/F, Elements, 1 Austin Road West, TST)
Tickets: $85, $70
More info: www.visiblerecord.com

HK Lesbian & Gay Film Festival

Hong Kong Lesbian & Gay Film Festival

Now in it’s 26 year the Hong Kong Lesbian & Gay Film Festival (HKLGFF) continues to bring a wide range of LGBT films to local audiences. This year’s festival features 59 films and runs for three weeks this year from 19 September to 10 October 2015.

Opening Film + Gala Party
Front Cover is the tale of a gay Chinese-American fashion stylist, who despises his ethnic heritage, yet is given an important assignment to style a patriotic actor from Beijing. After a rocky start, a friendship develops leading them to examine their beliefs and identities. Starring Jake Choi, James Chen and directed by Ray Yeung, Front Cover is a bittersweet dramatic comedy, which looks at the Asian-American experience with humour, irony and insight.

In Yes or No 2.5 Love You Baby, starring Sunanta Yoonniyom, Pimpakan Bangchawong and Chansakorn Kittiwattanakorn, Wine, a photographer, and Pii, a chef, are roommates and best friends. They share their lives together but things start to change when two girls Pim and Fah move in next door. Pim coincidently is Wine’s first love, whom she still hasn’t forgotten but Pim now has a boyfriend. Things get complicated when Fah develops feelings for Pii. Director Kirati Nak-intanon and the cast will attend the screening.

The Opening Gala Party is at Zafran, 10:30pm 19 September, 2015. Bring your opening movie ticket stub for free admission and one complimentary drink.

Closing Films + Party
In Baby Steps, a Taiwanese-American man Danny, and his boyfriend, long to have a baby, but the journey becomes increasingly complicated by Danny’s well-intentioned but meddlesome mother who wants to control every aspect of the process from Taipei. Produced by Oscar winning producer Li-Kong Hsu (Crouching Tiger, Hidden Dragon, The Wedding Banquet, Eat Drink Man Woman), and legendary Taiwan actress Grace Guei who also stars in the film as Danny’s mother. Director/ male lead Barney Cheng will be present at the screening to greet the audience.

Freeheld, starring Oscar winner Julianne Moore and Ellen Page, is based on a true story that took place from 2002 – 2006. New Jersey Detective Lieutenant Laurel Hester (Moore) is diagnosed with terminal cancer. She shares her life with her loving partner Stacie (Page) a car mechanic who is much younger than her. Laurel fearing for Stacie’s future sought to leave all her benefits to her, only to be blocked by the county’s governing body of Freeholders. With the help of an LGBT activist Steven (Carell) together they fight to have Laurel’s pension benefits passed on to Stacie. A love story about a loving partnership that in the eyes of law isn’t seen as equals.

The Closing Party is at Kee Club: 10pm, 10 October, 2015. Bring your closing movie ticket stub for free admission and one complimentary drink.

Highlights
I am Michael starring James Franco, Zachary Quinto, and produced by Gus Van Sant is based on Benoit Denizet-Lewis’ New York Times Magazine article “My Ex-Gay Friend”. It is a controversial true story of a gay activist Michael Glatze in 2007 shocked his friends and followers when he publicly renounced his homosexuality and becomes a Christian pastor. What could have led to such an extreme change of belief?

Wonderful World End, starring Ai Hashimoto and Jun Anonami, is about two girls whose relationship surpasses everything like age and sex. This romantic fantastical music film is lighthearted but the feelings and young talents are genuine together. “Guys can’t save us. Only a girl can save a girl.”

In the documentary My Fair Wedding, Kim Gwang-soo, an openly gay film-maker announces his intention to marry Dave Kim, his partner of 9 years who is 19 years his junior. On 7th September, 2013, the couple tie the knot in the heart of downtown Seoul, challenging the tradition-abiding and conservative Korean sensibility through this event which became the first gay marriage in Korean history. However, everything around them is inculcated with a culture of homophobia. As the big day approaches, they grow more and more nervous, wondering what will happen on their wedding day. Kim Gwang-soo and Dave Kim will be present at the screenings to share their stories with audience.

Taiwanese auteur Chang Tso-chi latest work is Thanatos Drunk. Rat works at a market stall but his alcoholic mother constantly nags him to get a proper job and stop hanging out with Shuo, an underworld gigolo whom he looks up to and shares a flat with. Rat’s older brother, Shang-ho, used to live in at the US but returns after losing his boyfriend there. Shang-ho gradually falls for Shuo until Shuo’s past catches up on him…

Hong Kong Lesbian & Gay Film Festival
Date:
19 September – 10 October, 2015
Venue: AMC Festival Walk ($90), AMC Pacific Place ($95), The ONE ($80) & Broadway Cinematheque ($80)
Tickets: various
More info: www.hklgff.hk

Chinese Documentary Festival 2015

Chinese Documentary Festival 2015

The Chinese Documentary Festival 2015 featuring 31 documentaries from China, Hong Kong, Taiwan and France starts on 8 September with 40 screenings running until the 5 October. There’s an Award Ceremony on the 19 September to announce the winners in the three competition categories Hong Kong Documentary, Documentary Features and Documentary Shorts.

Hong Kong Documentary
This year the Festival again includes a Hong Kong Documentary Award with an aim to promoting local films. There were over 30 Hong Kong entries with eight making it to the festival. ‘Search for one’s identity’ is a popular theme among Hong Kong entries, this includes Tsang Tsui Shan’s Flowing Stories and Wong Siu Pong’s Connection. Karl shows us the social and familial pressure faced by a student movement leader. Taiwanese director Kuo Shiao-yun’s inspiring film, Adversity Challengers, follows a group of Hong Kong youth competing in Taiwan cycling contest. A new work by agricultural activist Chan Hao Lun, Open Road after Harvest, focuses on three contemporary farmers. Van Drivers by Kanas Liu is the story of a group of volunteer van drivers who transported supplies back and forth to the protestors during the Umbrella Movement.

Lee Po

Features
Competition is fierce in this year’s features category. Celebrated Taiwanese director Yang Li Zhou’s The Moment – Fifty Years of Golden Horse narrates in a light-hearted manner the history of Taiwan’s Golden Horse Awards. Bridge Over Troubled Water is filmed in a small village where a tug of war competition by primary school students takes place. It also looks at the issue of immigrant brides. It is uplifting without being sentimental. Ninth Uncle and Heaven’s Will from China allow us a glimpse of the country’s social condition through the eyes of two ‘nobodies’. Su Beng, the Revolutionist, is the biography of the 90 year old political activist. Wu Kang: The Village Committee is a remarkable documentation of the resistance in Shantou’s Wu Kang village and the changes that followed. The Taste of Apple follows Next Media, from its move to Taiwan to its sell-off which has sparked off a fierce discussion on Taiwan’s freedom of the press.

Bridge Over Troubled Water

Shorts
The short films include Taiwan’s Water is Life, a film about conservation whose underwater filming is absolutely stunning. Old Soul looks at five people from different fields who share the same commitment to conservation and the future of Taiwan’s agriculture. One of the protagonists is the director of Water is Life Ke Chin-yuan. In Southland Soldier, a group of soldiers who once fought in Burma for the Chinese Nationalist Party find themselves forgotten by the government and are left to face the plight of forced relocation and land reclamation in a foreign land. Fishing Life, Lingering Sound documents Taiwan’s soon to be extinct fish fry counting technique. Cantonese Rice is an attempt by a French born Chinese-German woman to understand the longing for their homeland of the older generations living overseas.

New Taipei City Documentaries
The New Taipei City Documentaries features six award-winning works with different topics and styles. Some of the Taiwanese directors will attend the festival’s seminars to share their experience on filming and how to promote their works.

Seminars
The festival includes four seminars including Go Hong Kong or Mainland China where two directors from Hong Kong and Taiwan whose works all focus on ‘the search of identity’ talk about their own views on immigration. Freedom of press in Hong Kong and Taiwan hosted by The Taste of Apple’s director Kevin H.J. Lee where local journalists discuss the freedom of press and the hegemony of large corporates. Hong Kong and Taiwan Agricultural Documentaries”invites several speakers including directors Ke Chin-yuan and Chan Ho Lun who are strongly committed to agricultural issues to share their views on agriculture in Hong Kong and Taiwan.

Special Selection
There are three special selections at the 2015 festival. Sunflower Occupation is about Taiwan’s Sunflower Movement. The other two are in a genre less familiar for audiences –the mockumentary. Taiwan’s We Are Happy Family and Hong Kong’s The Aqueous Truth blur the line between fiction and reality and are meant to provoke discussion and self-reflection.

Chinese Documentary Festival
Date:
8 September to 5 October, 2015
Venue:
HK Arts Centre, agnès b. CINEMA (2 Harbour Road, Wanchai)
HK Space Museum, Lecture Hall (10 Salisbury Road, TST)
HK Science Museum, Lecture Hall (2 Science Museum Road, TST)
Tickets: $65 from Urbtix
More info: www.cdf.asia

Additional reporting: Visible Record

Summer International Film Festival 2015

siff cover-01

Enjoy films on the big screen? Or simply have nothing to do this summer? The Summer International Film Festival returns for another year! This summer, it’s showcasing 32 films across 59 screenings all surrounding the theme of complexity and sentimentality.

This year’s SIFF 2015 opens on 11th August with 聂隐娘 (The Assassin (2015)) directed by Hou Hsiao-Hsien, about a thoughtful killer Nie Yin Niang (Shu Qi 舒淇), who has to decide whether to go against her morals as an assassin or as a woman. The film won the Best Director award at the Cannes Film Festival 2015. The Director and and cast will meet the audience on the 11 August and there’s a masterclass with the Director on the 12 August. The festival closes with Woody Allen’s Irrational Man about a philosophy professor Abe Lucas (Joaquin Phoenix), who finds himself in an existential crisis, but rediscovers himself through meeting Jill Pollard (Emma Stone). Blurring comedy and drama, it nicely closes with the theme of complexity and sentimentality.

Wild-City-03

The festivals Gala Premiere is the new Ringo Lam film Wild City starring Louis Koo, Shawn Yue and Tong Liya. With his trademark exhilarating car chases along Hong Kong city streets, director Ringo Lam returns after a 12-year hiatus to the crime genre that, together with City on Fire and Full Alert, can be considered his “City Trilogy”. A film about people in the modern world who worship money to the point of dogmatic ignorance, Wild City issues a warning to the greedy and selfish lost souls in Hong Kong… The Director and cast will meet the audience at the 18 August screening.

The two most interesting festival programmes this year are:
The Battle of Sexes: Screwball Comedy. A genre that originally emerged during the Great Depression when Hollywood responded to the hardships of everyday life with films whose sparkling dialogue and romantic complications played havoc with perceptions of class, gender and love. Typically it’s the female who dominates a relationship, challenging the male central character’s masculinity… The two then engage in a humorous battle of the sexes; a new theme for Hollywood and audiences at the time, but one which has become a core of film makers globally since.
Films: Trouble in Paradise (1932, Director Ernst Lubitsch), It Happened One Night (1934, Director: Frank Capra) My Man Godfrey (1936, Director: Gregory La Cava), His Girl Friday (1940, Director: Howard Hawks), The Philadelphia Story (1940, Director: George Cukor), The Lady Eve (1941, Director Presto Strugess).

Annex - Fonda, Henry (Lady Eve, The)_01

Tsai Ming-Liang, Now and Then. The Malaysian born Taiwanese director’s five film retrospective, presents works which illuminate the themes of superstitions and reincarnation, sexual desperation, and isolation. The director’s uncompromising aesthetic of long fixed shots with little movement, complex characters and minimal dialogue, set him apart from other Asian directors, leading him to be one of Asia’s most significant filmmakers of the last 25 years.
Films: Rebels of the Neon God (1992), Vive L’Amour (1994), The River (1997), What Time is it There? (2001), Walker/No No Sleep (2014).

Film festivals are a chance for old and new films to once again appear on the big screen locally, an opportunity to appreciate a film in the surroundings for which it was created. They also offer, through the extended programme of seminars and panel discussions, a chance to enrich your experience and appreciation of a film that going to your local multiplex does not.

Other films shown in Cine Fan SIFF include:
The Assassin (聂隐娘), Yakuza Apocalypse (極道大戦争), Diary of a Chambermaid (Le journal d’une femme de chamber), Standing Tall (La Tête haute), Prophecy (予告犯), Seashore (Beira-Mar), A Touch of Zen (俠女), The Brand New Testament (Le Tout Nouveau Testament), Trouble in Paradise, Kumiko, The Treasure Hunter, The Lady Eve, Piku, It Happened One Night, Love & Peace (ラブ&ピース), My Man Godfrey, Slow West, Flying Colours (ビリギャル), Güeros, The Double Life of Veronique (La double vie de Véronique), Gentlemen Prefer Blondes, Love letter, The Philadelphia Story, Wild City, PK, His Girl Friday, Vive L’Amour (愛情萬歲), The River (河流), What Time Is It There?( 你那邊幾點), Irrational Man

Tickets for the Cine Fan SIFF will be on sale on 21st of July, from URBTIX.

Summer International Film Festival (SIFF) 2015
Date:
11–25 August 2015
Venues:
UA Cine Moko, The Grand Cinema, The Metroplex, MCL Telford Cinema, HK Arts Centre, HK Science Museum
Tickets: $75, $65, $85 from URBTIX
More info: screening schedule http://cinefan.com.hk/cms/schdeule/

Sundance Film Festival:HK

The Hong Kong Sundance Film Festival takes place from the 17-27 September, 2015. Covering Thursday, Friday, Saturday and Sunday for two consecutive weekends the festival will screen 10 films featured in the 2015 Sundance Film Festival USA. There will also be workshops for young filmmakers and film composers plus a variety of cultural events that will “manifest the independent spirit across art forms”.

The festival screenings will be at The Metroplex in Kowloon Bay and the full schedule of films and times will be available soon at the festival website http://hk.sundance.org/

Sundance Film Festival: Hong Kong
Date: 17-27 September, 2015
Venue: The Metroplex
Tickets: tbc

Sundance Film Festival:HK

The Hong Kong Sundance Film Festival takes place from the 17-27 September, 2015. Covering Thursday, Friday, Saturday and Sunday for two consecutive weekends the festival will screen 10 films featured in the 2015 Sundance Film Festival USA. There will also be workshops for young filmmakers and film composers plus a variety of cultural events that will “manifest the independent spirit across art forms”.

The festival screenings will be at The Metroplex in Kowloon Bay and the full schedule of films and times will be available soon at the festival website http://hk.sundance.org/

Sundance Film Festival: Hong Kong
Date: 17-27 September, 2015
Venue: The Metroplex
Tickets: tbc

Chinese Documentary Festival 2015 – Call for Entry

Chinese Documentary Festival 2015 - Call for Entry

The 8th Chinese Documentary Festival will be held in September 2015. The Festival comprises two sections: Competition and Special Selection. The Competition section is now open to submission. Documentary filmmakers from all over the world are invited to join.

Since its inception in 2008, the Festival has drawn the attention of filmmakers from around the world, especially those of mainland China, Taiwan and Hong Kong. Thanks to their support, the Festival is attracting bigger audience each year and has become a major event for Chinese documentaries.

Founded in 2004, Visible Record, a non-profit art organisation, has dedicated itself to promoting Chinese documentaries. The Festival is supported by the Lee Hysan Foundation, the Hong Kong Arts Development Council and Art & Culture Outreach.

Entry Requirements
1. Documentary films produced between 1 January, 2013 and 15 April, 2015
2. Such films should contain no less than 50 percent of dialogues in Chinese (including dialects) or issues on Chinese society
3. Feature film: 60 minutes or above; Short film: 59 minutes or below

Submission
Please obtain an application form by downloading from the Festival website (www.cdf.asia) or by sending an email request ([email protected]). Five duplicates of the film (on DVDs) must be sent along with the completed application form to Visible Record before the 15 April, 2015 deadline.

4th Hong Kong Turkish Film Festival @ The Grand Cinema, 5 – 10 March, 2013

4th Hong Kong Turkish Film Festival @ The Grand Cinema, 5 – 10 March, 2013
Organized by the Turkish film culture institute Izmir Cinema Association, The 4th Hong Kong Turkish Film Festival, this year’s 8 eight selected films showcase the vibrancy of the Turkish filmmaking, with award winning blockbusters, critical masterpieces, new films and debuts as well as the new angles of female directors.
The program schedule:

5 March: 21:30 – The Particle (Director: Erdem Tepegoz)
6 March: 19:30 – Where the Fire Burns (Director: Ismail Gunes)
6 March: 21:45 – Can (Director: Rasit Çelikezer)
7 March: 19:30 – Ships (Director: Elif Refig)
7 March: 21:40 – Where the Fire Burns (Director: Ismail Gunes)
8 March: 19:50 – Load (Director: Erden Kiral)
8 March: 21:40 – Monsters Dinner (Director: Ramin Matin)
9 March: 17:15 – Can (Director: Rasit Çelikezer)
9 March: 19:35 – Let This Be The Last Time (Director: Orçun Benli)
10 March: 14:30 – Saint Ayse (Director: Elfe Uluc)
10 March: 16:20 – The Particle (Director: Erdem Tepegoz)

 Tickets are $80 from 3983-0033 www.thegrandcinema.com.hk

4th Hong Kong Turkish Film Festival @ The Grand Cinema, 5 – 10 March, 2013
4th Hong Kong Turkish Film Festival @ The Grand Cinema, 5 – 10 March, 2013