Category: performing arts

Hong Kong’s Eric Yip has won the UK’s National Poetry Competition with his poem Fricatives which talks about language, race, migration, belonging and the guilt of leaving one’s home behind.

Fricatives’ is a poem that makes its way ‘through the murky and treacherous waters of language, race, migration, and of being heard when “Nobody wants to listen/ to a spectacled boy with a Hong Kong accent.”

Speaking of his win the 19-year-old Yip said “It’s possibly the most surprising thing to ever happen to me. I’ve never had anything published before in a journal, let alone win any competition. I’m also honoured to contribute a small part to the growing literary space of Hong Kong poetry, which was carved out piece by piece through the wondrous efforts of many Hong Kong poets I admire.”

“I see the poem as a coming-of-age for the speaker, reflected through the transformation of his city.  It’s about different types of oppression and how the speaker navigates them. The poem begins by looking at the legacy of colonialism in influencing how we speak, or how we think we should speak. Then there’s the political dimension, which feels impossible not to write about. There’s also submission in the sexual sense, but even that scene has colonial undertones. And finally, there’s assimilating into an English-speaking country. All this mirrors Hong Kong’s journey from a colony to a battleground, to a site of exodus,” Yip added.

“I think there’s definitely an element of survivor guilt in the poem. Hong Kong is experiencing its largest emigration wave in history, but not everyone has the means to move to another country. For me, being able to write this poem is a form of privilege”

Yip’s work was chosen by judges Fiona Benson, David Constantine and Rachel Long, who read all the entries anonymously.

Benson said: “Fricatives is an immensely ambitious and beautifully achieved poem. It puts its reader into the position of a student of English as a second language, the fricative consonants tangling our mouths as we speak the poem, and intriguing us with the alternate meanings that rest precariously on the pronunciation. ‘Proper’ achievements – the correct pronunciation, the good education abroad, and the proud parents – are countered by an underworld of political prisoners and risky, grim sex.”

She added: “This is an incredibly powerful, vulnerable story of an uneasy assimilation, and of government surveillance… It’s a poem of poise and counterpoise, and is personal, political and acutely musical. What a tensile, high-wire reckoning.”

Fricatives by Eric Yip

To speak English properly, Mrs Lee said, you must learn
the difference between three and free. Three men
escaped from Alcatraz in a rubber raft and drowned
on their way to Angel Island. Hear the difference? Try
this: you fought your way into existence. Better. Look
at this picture. Fresh yellow grains beaten
till their seeds spill. That’s threshing. That’s
submission. You must learn to submit
before you can learn. You must be given
a voice before you can speak. Nobody wants to listen
to a spectacled boy with a Hong Kong accent.
You will have to leave this city, these dark furrows
stuffed full with ancestral bones. Know
that death is thorough. You will speak of bruised bodies
skinnier than yours, force the pen past batons
and blood, call it fresh material for writing. Now
they’re paying attention. You’re lucky enough
to care about how the tongue moves, the seven types
of fricatives, the articulatory function of teeth
sans survival. You will receive a good education
abroad and make your parents proud. You will take
a stranger’s cock in your mouth in the piss-slick stall
of that dingy Cantonese restaurant you love and taste
where you came from, what you were made of all along.
Put some work into it, he growls. C’mon, give me
some bite. Your mother visits one October, tells you
how everyone speaks differently here, more proper.
You smile, nod, bring her to your favourite restaurant,
order dim sum in English. They’re releasing
the students arrested five years ago. Just a tad more
soy sauce please, thank you. The television replays
yesterday on repeat. The teapots are refilled. You spoon
served rice into your mouth, this perfect rice.
Steamed, perfect, white.

Image: National Poetry Competition